Cloth ears

The term ‘cloth ears’ originated in the weaving mills of northern England in the early part of the 20th century.

When the spinning and weaving of wool and cotton became industrialised during the Industrial Revolution the trade was centred on the counties of Lancashire and Yorkshire. Many of the large mills that were built in the 1800s are still standing and some are complete with long rows of machinery, preserved as museums.

The noise in a spinning and weaving mill was tremendous. As one former cloth mill worker explained:

“You was overwhelmed at the roar of noise, and for about three days all you could hear was the roar in your ears. But after that you became part and parcel of it and you could talk quite normally. Although you didn’t realise it, you were doing a lot of lip reading.”

The name given to the deafness that mill workers were commonly afflicted with was ‘cloth ears’. The equivalent condition that workers in nearby steel mills developed was ‘boilermaker’s deafness’, which is still the medical name for noise induced deafness.

Workers must have been subject to ‘cloth ears’ since the factories were built, but the first record of the phrase in print is from the start of the 20th century, in Compton Mackenzie’s 1912 novel Carnival:

“I wish you’d listen. Have you got cloth ears?”

Mackenzie’s story is set in London, so ‘cloth ears’ must have migrated south by 1912 and it is reasonable to assume that it was in colloquial use in the north of England prior to that date. So far, I haven’t been able to find an earlier citation of it.

The expression hasn’t travelled far outside of England, although John Cleese did bring it to worldwide notice when he used it in Fawlty Towers to describe the character Polly (played by his co-writer and then wife, Connie Booth) as a “cloth-eared bint”.